So this is an interesting case. A world-famous piece of impressionist art on display at OU's Fred Jones Jr. Museum of Art is now the center of a lawsuit from a family who says it was stolen from them by the Nazis. Here's the Oklahoman story:
Holocaust survivor's son demands University of Oklahoma return painting stolen by Nazis | News OK
Here's where it gets really interesting. Apparently, the fact that the painting was stolen by the Nazis is not in dispute. A 1953 lawsuit in Switzerland established its ownership. But that same lawsuit dismissed the case because the Swiss have a 5 year statute of limitations on such things. More info here:
Daughter of former owner of a painting stolen by Nazis is suing the University of Oklahoma in hopes of getting it back | Mail Online
OU is citing that lawsuit as a reason why they feel they shouldn't have to return the painting to its rightful owner. They also argue that they received it not knowing it was stolen and have acted in good faith.
What reminded me of this story was an unrelated news story I saw today about Quentin Tarantino's famous Chevy Malibu from Pulp Fiction. It was stolen shortly after the movie was released. It turned up this year following a simple VIN number check on a car that an older gentleman had purchased, in good faith, and had been restoring for several years. In addition to the price of the car he also sunk $40k in restoration costs into it. What did the police do? Why they confiscated and returned it to Tarantino, no compensation offered, of course:
https://autos.yahoo.com/news/how-que...170713276.html
So is this a case of the little guy getting the shaft while a big institution gets afforded more leeway? Or are these two completely different scenarios. Or perhaps in both cases the stolen property should be returned to the rightful owner, but then how should the innocent buyer be redressed?
It's an interesting problem.
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