Yes, it is an eyesore that has outlived its short window of usefulness
No, it is a beautiful gem that should be preserved for the ages
Stage who? I could care less...
I believe that figure quoted was per year wasn't it? I bet that included property taxes, which might be the majority of it. What else, assuming the utilities have all been shut off, mowing the lawn, replacing a piece of plywood every now and then and some liability insurance if they have any?
Yeah, the poster writing 100K monthly likely misunderstood something he read. IIRC, that was an annual amount being spent by the Foundation after it was shuttered in 2010.
That's still a lot of cash for a charitable foundation that could use every dollar to burn... oh well, guess it's Rainey burning it now...
It's a ton of cash. Therein lies one of the problems with any art org owning or using any real estate. It can be really expensive.
Because there AREN'T any fanatics. For whatever reason, it has never resonated with the community. And there STILL isn't any measurable action. That doesn't mean that the building is not important architecturally; just that it isn't important to the people who matter or could have made a difference in OKC.
Where has anyone seriously suggested using tax dollars to preserve it? Way to try to turn it red/blue political. And if you think it costs $100K a month to keep the hobos out, I have a bridge I'd like to sell you.
Whether you or I think it is an important building architecturally doesn't really make any difference, by the way. Sorry to disappoint you. That issue was decided by the American Institute of Architects and the Museum of Modern Art 40 years ago.
If you insist on talking about art - though I would point out that this is not art, it is architecture - like I have pointed out previously, Warhol's works were hated by many contemporaries, and still disliked by many. Most of the French Impressionists were initially reviled in the Paris Salons of their day, and some died penniless. A century later, most people finally have an appreciation for what they were trying to create. Parents and critics alike hated Elvis. They burned his records publicly. It was just offensive noise, right? The Devil's music? Huckleberry Finn has been banned in some school systems in the United States during our own lifetimes. Whether or not an occasional person or even a lot of people dislike something doesn't render it worthless or unimportant; I'm sorry. Again, your opinion (and mine) make little difference here.
But, AGAIN, the ultimate decision-making power resided with the community over the past 40 years, and the community has been pretty resolute in deciding that they didn't REALLY want it here. So it comes down.
Truth be told - the building opened and closed several times over its life span. It has not been in continual use from 1971 to 2010.
The History and Downfall of Stage Center | KOSU Radio
That was almost a direct quote from Steve who asked several developers if the Biltmore was around today would it be viable for redevelopment. The answer was no.
Found the story - you can read it for yourself.
http://newsok.com/looking-back-at-th...rticle/3470180
From the article:
Many things in OKC closed in the oil bust of the '80s.But the Oklahoma Theatre Center didn’t make it either, and the building again closed in the eighties.
Closings:
Mummers went broke.
Oil Bust.
Flood.
Did that miss anything?
Up thread I gave you a list where performances were held there every year for the last couple of decades leading up to the flood. A couple of lists actually. I know you and some people want to think it was empty and abandoned for years but that's a false picture. It was not used to full potential, like something going on there constantly in the performance spaces year round, day after day. It has been used regularly.
I don't think that says as much about the architecture as it says about support and appetite for some of the arts in OKC over time.
At 600 rooms, it might have made a nice convention center hotel, and it would have been in the right location! :-P
No, it would be folly to build an exact replica from scratch of something that didn't work in the first place or that likely wouldn't work today. A brick-for-brick rebuild of the Biltmore, with the exact same low ceilings and small rooms that would in turn guarantee failure or at the very least extreme challenges? Folly. Rebuilding an exact replica of a performing arts center that has failed to attract and maintain a tenant, an audience and benefactor(s)? Folly. Adaptive re-use of an existing structure, including reconfiguration to meet modern needs (a la Skirvin)? Smart. Too bad it didn't happen with the Biltmore. Wish it could happen with Stage Center, but that is unlikely.
Now, a new, modern hotel with design flourishes that pay tribute to a once-nearby but now gone historic structure? There's nothing wrong with that. The ballpark in Bricktown is a reasonably good example of this. However, HP guidelines would tell you that attempting to make it indistinguishable from the historic is not recommended. A building is either historic, or it is not.
If we built a new performing arts center someday and the architect wanted to make a few stylistic nods to Stage Center? Great. Admirable, even. But rebuilding an exact replica of a demolished Stage Center = silly.
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