I heard her years ago. Incredible.

I challenge you to listen to a portion of this recording. She must have been
extremely wealthy.

She was very serious about her music and is consistently flat... unless she's sharp.

The accompanist is incredible. I'm serious. S/he is amazing. Kudos to the
accompanist.


https://www.youtube.com/watch?list=PL98F20E64EF3D292C&v=qtf2Q4yyuJ0&x-yt-cl=85114404&x-yt-ts=1422579428

She must have had A LOT of money. She's occasionally accompanied by an
orchestra and "that ain't cheap!"

This is from Wikipedia, which is only as accurate as the data that's been input.

Here's the data. You decide.

From Wikipedia (http://en.wikipedia.org/wiki/Florence_Foster_Jenkins)
Florence Foster Jenkins (July 19, 1868 – November 26, 1944)
was an American amateur operatic soprano (http://en.wikipedia.org/wiki/Soprano) who was known—and ridiculed—for
her lack of rhythm, pitch, and tone; her aberrant pronunciation; and her generally
poor singing ability.

Pity reply.

http://www.youtube.com/watch?v=DMu9PKWthLE

Jenkins was a marvel.

Here's an article from Carnegie Hall.

Remembering Florence Foster Jenkins | Carnegie Hall (http://www.carnegiehall.org/BlogPost.aspx?id=4294993274)

It sounds like she was in on the joke...(I hope?).

It sounds like she was in on the joke...(I hope?).
She was serious.

This reminds me very much of Mrs. Miller who was sort of a pop culture sensation in the middle 60's. Mrs. Miller was never that off key though.


https://www.youtube.com/watch?v=NqlX88H4_Cg

http://www.imdb.com/name/nm0589032/bio

Mrs. Elva Miller rates highly as one of the single most colorful, unlikely, and hence oddly endearing musical celebrities to ever achieve a considerable amount of fame in the mid 60s. Armed with an off-key, quivering, sub-Ethel Mermanesque operatic vibrato soprano voice, a sweetly humble, matronly and old-fashioned persona, and a delightfully dotty penchant for strange bird-like wobbly whistling, Mrs. Miller belted out renditions of such songs as Petula Clark's "Downtown," "A Hard Day's Night" by the Beatles, Nancy Sinatra's "These Boots Are Made for Walkin'," and "A Lover's Concerto" by the Toys with an enthusiastic ineptitude that was truly something to behold. She was born as Elva Ruby Connes on October 5, 1907 in Joplin, Missouri. Elva was the third of seven children born to Edward Connes and Ada Martin. Mrs. Miller grew up in Kansas and began her music career as a member of a Lutheran church choir (she also did some broadcasting on the radio station KGNO in Dodge City, Kansas). She moved to Oklahoma after graduating from high school and worked as a live-in housekeeper for a minister's family. Elva married her much older investor husband John Richardson Miller in 1934. The couple moved to Claremont, California in 1935. Mrs. Miller studied music theory, voice and composition at Pomona College and sang in the choir at the Claremont Presbyterian Church. It was during this time that Elva began recording 45 singles of gospel, classical and children's songs as a hobby. Mrs. Miller was discovered by organist/pianist/arranger Fred Bock, who in turn convinced her to record a cover of "Downtown." Capitol Records A&R man Lex de Azevedo heard a demo recording of "Downtown" and signed Elva to a contract with the label. Her debut album "Mrs. Miller's Greatest Hits" was released in 1966, when Elva was 59 years old. It went on to sell over 250,000 copies within the first three weeks of its release. Mrs. Miller became an immediate star: her rendition of "Downtown" cracked the Billboard charts at #82 in 1966, she appeared on such TV programs as "The Ed Sullivan Show," "Toast of the Town," "Malibu U.," "The Mike Douglas Show," and "The Hollywood Palace" (she sang a duet with host Jimmy Durante for the song "Inka Dinka Do"!), performed at the Hollywood Bowl, the Coconut Grove, and the Sahara Club (she shared a bill with the Kingston Trio on this latter gig!), entertained American troops in Vietnam as part of a two week USO show with Bob Hope, and pops up as herself singing "It's Magic" in the 1967 comedy feature "The Cool Ones." Capitol Records released her second album "Will Success Spoil Mrs. Miller?" in late 1966. Alas, her third and last album for Capitol "The Country Soul of Mrs. Miller" proved to be a flop when it was issued in 1967. Elva's fourth and final album "Mrs. Miller Does Her Thing" was released by the obscure Amaret record label in 1968. Undaunted, Mrs. Miller recorded two unsuccessful 45 singles on her own label called Mrs. Miller's Records in the early 70s. She spent her latter years living in Hollywood, where she took care of her niece and nephews, frequently contributed to many local charities and organizations, and regularly attended the LA Music Center's Dorothy Chandler Pavillion. Elva Ruby Miller died at age 89 on July 5, 1997 at the Garden Terrace Retirement Center in Vista, California. Although she's sadly no longer with us, Mrs. Miller's unique brand of lovably amateurish singing and genuine (if misguided) passion for music shall continue to amuse and entertain countless folks for all eternity.

https://www.youtube.com/watch?v=lgoGq6PTXZ4

https://www.youtube.com/watch?v=-zKCQK0apKc

https://www.youtube.com/watch?v=qs2nLjozuW4

https://www.youtube.com/watch?v=hWoWH8W3sVo

She was serious.
The reason I suggested that she might be in on the joke was because in reading up on her I had seen a quote from her that said "people may say I can't sing," she said, "but no one can ever say I didn't sing."

BUT

After further reading, I think you're right. Her story is actually pretty fascinating, and after reading it I have a little bit more compassion for her. It sounds like she actually once DID have musical talent (as a child), and even played piano at the White House.

When she finished high school, her wealthy father refused to send her to Europe for a musical education she hoped for. So she rebelled by eloping with a doctor. He ended up giving her syphilis, which damaged her hearing (and probably her mind).

When she was much older, her father died and it gave her the funds to finally follow her musical dreams, and when her mother passed, even more wealth came her way.

It makes the whole thing, including her tonal deficiencies, her dogged determination and her IDGAF attitude make so much more sense. Sad and triumphant at the same time. They should make a movie.